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SKU:12281455
Building on the overwhelming success of the acclaimed Dark Terror and Dual Dark amps, Orange distilled thousands of customer demands into a pint-sized valve hybrid head – the Micro Dark. The Micro Dark shares the same intuitive Shape control combined with a new 12AX7-driven high gain preamp section which yields screaming dirty tones that make a mockery of its miniature frame. Like its bigger brothers, however, the Micro Dark’s smoky black chassis and simple layout actually disguises its cunning versatility. Of course, there’s plenty of gain on tap to satisfy even the most discerning devotee of distortion, but this little beast is by no means just a one-trick Metal monster! Beneath the menacing exterior you’ll find a rich and diverse palette of classy and confident tones. From squeaky clean to brash and mean – whatever your style – you’re gonna love this thing. Other features include a transparent fully buffered effects loop and a headphone output with Orange’s popular CabSim circuitry. When with PPC108 cabinet, the Micro is an ideal practice rig… Plug into something a little larger, though, and you might find your new secret weapon in the studio!
Power 20Watt (hybrid)
Tube one 12AX7 (preamp)
Controls Gain, shape, volume
Impedance 8 16 ohms
Headphone out with CabSim circuit
Carrying handle
What can be said about this lil bad girl that hasn't been done in some good YouTube videos? It fits perfectly on top of my main amp and in an apartment setting gets more play time to be honest. It was a toss up between the micro terror and this one won out for the flexibility and modern effects loop just being more valuable of a feature than an aux input for my uses. The effects loop allows me to separate noise prone effects like my modulation and delays from my signal pedals like compressors, overdrives or boosts.The 12ax7 (surprisingly a very decent JJ tube) gives a big amount of headroom to satisfy my tube tone craving and handle my effects without added noise and its all packed tightly in a tiny, silent-practice package. The amp simulation on the headphone input is great quality when paired with the appropriate impedance headphone set- I use a Beyerdynamic DT 770 Pro 250ohm impedance set and I keep the amp volume no higher than about 10 o'clock. The cab output sounds great and tested on the 1x10 Eminence in my Princeton reverb, it gave a pleasing speaker breakup and imparts a British style amp overdrive to an otherwise clean rig. Overall, the amp is perfect for inspiring new ideas when practicing or sketching. The amp always make me smile when I play and the tonal character and tube breakup can lead me to exploring different playing styles or ideas. Great tone can be had for under 2 Benjamins and I'm a little salty at musicians growing up today- I would have killed for something this capable in this price range when I was first playing guitar.For the guitar gear heads:I have a simple effects rig that adds subtle color and double-tracked style dimension. I set the signal chain as such*Telecaster Custom > Whirlwind Rochester Red Box Compressor > Amp Input*From Effects Loop Send > BOSS DC-2W Dimension-C>Catalinbread Belle Epoch Tape Delay > Behringer VD400 Delay > out to Effects Return